A warehouse and showroom that shows a light architectural touch, with measured contrasts between solidity and lightness and function and finesse.
Words: Michael Barrett. Photos: Simon Devitt. From ProDesign 107 with additional images.
Warehouses, as their designation obviously denotes, are generally exercises in functionality, places where purpose wins out over possibility. It has to be said, there are few warehouses that make any memorable display of charm, outward or inward. But there’s always an exception, and Wingate+Farquhar’s Canada St warehouse and showroom is it — a functional space lavished with consideration. Neatly stitched into an unexpected location between a service lane and a hair salon at the fringe of a fringe part of town, this building’s commercial aspect is lightened with unexpected features.
For those unfamiliar with the locale, Canada St is spitting distance from Queen St and a stone’s throw from Newton. It’s the part of the CBD dealt an unfair hand by the northwestern motorway, to which it’s so very close it’s an unofficial slow lane. It’s also very close to the new cafés and stores of Cross St (and the older brothels). This is a regenerating part of town, especially since Ironbank took up its monumental position on K’ Rd, but it’s still debatable whether the suburb’s itinerant transvestite population has fully appreciated the architectural improvements to the neighbourhood. But let’s move swiftly on to Wingate+Farquhar’s contribution to the neighbourhood, which stands on a space that was in the 50s and 60s a motor repair business. More recently it was a silversmith and trophy engraving business, which latterly lent itself to the importation of cheap plastic trophies. The new building consists of two volumes — the showroom, aligned with Canada St and positioned on the street boundary for visibility, and the larger volume of the warehouse, which stretches back parallel to the service lane.
Blair Farquhar, director at W+F, says that most of the materials specified on this project are “no different to what would be used in a normal warehouse — they are resilient and hardwearing, pre-cast concrete, fibreglass cladding, plywood and steel”. The difference is that Farquhar has envisioned the use of these materials in a different way.
For instance, Farquhar’s application of a heavily textured finish to the precast concrete base of the building’s exterior is one subversion of the material palette. It’s a brutalist technique delivered from somewhere in the “deep recesses” of his memory, as he puts it. The rough, pitted surface is solidly interesting, and as Farquhar also mentions, it should prove a relatively unfulfilling canvas for any visiting street artists.
On the eastern, service lane side, of the building, the same pre-cast panels are punctuated with rectangular inserts of coloured glass. Swap the yellow glass for blue and this unexpected flourish could be quite De Stijl-ish, especially as the fenestrations are irregular in size and positioned non-symmetrically.
This concrete base proves a solid contrast to the shoji screen lightness of the showroom, which is clad with the one material that is unusual for a project such as this. Kalwall is an American building material that is insulating, light diffusing and translucent. The material’s appearance, with aluminium strengthening bars visible through the translucent skins, enlivens the cubic showroom day and night, and its performance is indicative of the environmentally conscious design process the architects put the building through with the assistance of eCubed, the services consultant on the project
Farquhar says that showrooms and retail premises can be problematic when it comes to energy efficiency and presentation of products; due to a reflection issue, double-glazing isn’t an option, and tinted glass can obscure products rather than enhance them. At Canada St, the Kalwall reduces heat-loss and attracts attention to the structure, while the aperture of the glazing allows passersby to “easily interpret the building and its functions”.
Glazing presents another efficiency benefit in the warehouse proper, with an expanse of automatically controlled louvred windows aiding natural ventilation. To accentuate this, Farquhar explains that part of the roof form of the warehouse has been designed with three ‘pop-up’ extract windows to facilitate natural ventilation. Other ESD techniques include the incorporation of translucent materials, reducing the need for artificial lighting, and minimisation of mechanical plant and equipment which allowed the architects to achieve a clean rooftop with all the plant concealed. On-site rainwater harvesting and solar water heating are other features.
Throughout the building, the materials are hard-wearing and simple. The lower areas of the warehouse volume are precast concrete, to protect the building from errant forklift work. The upper part of the warehouse is dual-skinned polycarbonate, for insulation and better storage conditions for products. The purposefully limited material palette uses plywood detailing around windows and in the in the upper office space and the lower kitchen amenities.
Farquhar says that like many commercial structures the building was designed to the parameters of the boundaries it inhabits, based on the levels of the buildings that existed prior to it, using materials common to the typology. There are many commercial buildings that are almost cynical in their expression. This is clearly different — a commercial structure built for the long haul and, importantly, also one that could be adapted for another purpose if continued changes to the surrounding neighbourhood dictate.
Selected credits:
Client Samson Corporation
Architect Wingate+Farquhar
Project manager Styles Project Management
Builder Macrennie Commercial Construction
Services consultant eCubed
Structural consultant Brown & Thompson
Window/door joinery Bradnams
Architectural hardware Wilson & Macindoe
Paint Resene
Flooring Polished Concrete; Interface NZ carpet
Lighting Concept Lighting
Precast concrete Wilco
Cladding Kallwall from Jacobsens; Profiled fibreglass cladding from Alysnite















One Comment
Truly inspiring structures. I particularly like the arrangement of lights on the first one, it gives a unique twist to the urban environment.
One Trackback
[…] From ProDesign 107 with additional images. http://prodesign.co.nz/a-rare-beast/2010/07/06/ […]