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Review: Manufractured
Craft Resurrection: Almost dead for all money, but not quite, craft is back as industrial art.
Manufractured By Steven Skov Holt and Mara Holt Skov. Chronicle Books, 144 pp, 80 colour images, hardcover, RRP $90
Manufractured, subtitled, The Conspicuous Transformation of Everyday Objects, is in some ways similar to I Miss My Pencil. Most obviously, it’s published by Chronicle Books, but another thing shared is more esoteric – it's a way of looking at things and deciding that they could be better, different, or just plain quirkier. It's about, to an extent, the way that artists and designers can look at commonplace items and reassess forms and functions.
The basis for Manufractured was the identification of a new trend, a trend that has also hit New Zealand's shores, “the radical appropriation of consumer goods as raw material for art– and object-making”. Yes people, there’s a craft revival going on. Recycling, upcycling, customisation, call it what you will; it’s traditional notions reapplied and relearned for the modern age.
Manufractured looks at the crossover of craft, art, and design. It’s an interesting journey which develops from the premise that industrialisation was craft's death knell. Yet, rather than dying off, a rather ironic thing happened, that is the customisation of the mass-produced (once we hit mass customisation of the mass-produced I'm not sure where we'll be at…).
There's a lot going on in Manufractured, which was published to coincide with an exhibition at the Museum of Contemporary Craft in Portland, but one particular object that seems to sum up the ethos to me is War Bowls by Dominic Wilcox. Each of these bowls is made from legions of plastic soldiers which are melted together. An "ironic take on the senselessness of war", these bowls "highlight how scandalously mutable the body (and the vessel) can be when subjected to pressure".
– Michael Barrett
Image from Manufractured.
Image from Manufractured.