Bet­ter by Design: The Movie

Seats were lim­ited at last year's Bet­ter by Design CEO Sum­mit. Hap­pily, the good folks at BBD believe in egal­it­arian notion of free­dom of inform­a­tion, which means you can now watch videos of selec­ted speak­ers at the event over here.

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For Hire…

…if you live in Essex, or there­abouts. There is a New Zea­l­and con­nec­tion though to this rather fant­astic inflat­able space one-half of the design team is from New Zea­l­and, originally.

Penttinen Schone's inflatable space.

The design prac­tice Pent­tinen Schöné was foun­ded in 2009 by Emma Pent­tinen and Phil­lip Schöné. Emma Pent­tinen, ori­gin­ally from Fin­land has diverse design exper­i­ence hav­ing pub­lished and edited a bespoke art title, fal­ter magazine, and worked for archi­tects such as Foster and Part­ners. Ori­gin­ally from New Zea­l­and, Phil­lip Schöné has real­ised a wide range of archi­tec­tural pro­jects as dir­ector at David Long Archi­tects and pre­vi­ously at McDow­ell Bene­detti Archi­tects, where he was pro­ject archi­tect for the Cas­tle­ford Footbridge.

Penttinen Schone's inflatable space.

Pro­ject descrip­tion: This inflat­able space can be deployed in as little as two hours for use in events, com­munity activ­it­ies, and fest­ivals. The design fea­tures brightly col­oured win­dows, a mes­mer­iz­ing internal space with unique pat­tern design, and an intriguing outer shape. The inflat­able was born of a com­mis­sion by Essex County Coun­cil for an inter­act­ive arts pro­ject by "The People Speak", an artist col­lect­ive whose pro­jects aim to bring people together to have dis­cus­sions, play and make decisions in an open-ended and fun way. It was built by Inflate and you can visit the web­site to check out some other examples of inflat­able archi­tec­ture and other fant­ast­ical things filled with air. (Note: let it load.)

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Not Your Brand, Theirs!

Intersections, cover.Resn's Andy Wil­li­ams is the only New Zea­l­and mem­ber of SoDA (Soci­ety of Digital Agen­cies) and is a con­trib­utor to that institute's latest report – the Digital Mar­ket­ing Out­look 2011, released today. That report – free to good homes – can be down­loaded here.

The Digital Mar­ket­ing Out­look 2011 com­prises a sur­vey of 600-plus mar­keters, agen­cies and tech­no­lo­gists; art­icles and case stud­ies from lead­ing agen­cies around the world; and com­ment­ary from the DMO Advis­ory Board of senior mar­keters, as well as many other prom­in­ent con­trib­ut­ors. The sur­vey was con­duc­ted and ana­lysed by Answer­Lab, a third-party research firm.

Some brief notes dis­tilled from the 200-page doc­u­ment indic­ate that accord­ing to those sur­veyed, 69 per cent plan to invest their resources in social net­works and applic­a­tions. 43 per cent of mar­keters plan to decrease their invest­ment in paid tra­di­tional media and 61 per cent plan to increase their invest­ment in unpaid/earned media. In addi­tion, the hir­ing of social media mar­ket­ing pro­fes­sion­als tops the list of hir­ing pri­or­it­ies for mar­keters in 2011.

Ann Lewnes, DMO Advis­ory Board Mem­ber and Senior Vice Pres­id­ent of Global Mar­ket­ing for Adobe Sys­tems, says in a syn­op­sis of the find­ings that social net­work­ing is vital to a company’s suc­cess in the digital age.

We act­ively cul­tiv­ate and par­ti­cip­ate in the pas­sion­ate social com­munit­ies which have developed around our products and brands,” says Lewnes. “A ded­ic­ated social media team along­side indi­vidual Adobe employ­ees – from C-level exec­ut­ives to employ­ees in the field – con­trib­ute to our social com­munit­ies with fresh con­tent and news on a reg­u­lar basis.”

We have learned that gen­er­at­ing earned media comes from the right com­bin­a­tion of stra­tegic clar­ity, con­sist­ency of brand story and highly dis­rupt­ive cre­at­ive. But if you can only have one, it’s always about the cre­at­ive,” says Vic­tor Mehren, DMO Advis­ory Board Mem­ber and Senior Mar­ket­ing Dir­ector, Wm Wrigley Jr. Company.

Resn's Andy Wil­li­ams calls the report a "must read" for any marketing/advertising pro­fes­sional. His opin­ion piece, titled "Not Your Brand, Theirs!", was pub­lished in the report. It fol­lows below:

Digital has given the mod­ern brand the oppor­tun­ity to cre­ate util­it­ies for con­sumers to own brands. Is doing this unpre­dict­able, dangerous…maybe? Might your brand need a little of that?

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Tele­com Place in Pictures

Photo gal­lery: The bridges, fur­niture, col­our and style of Auckland's biggest cor­por­ate cathed­ral – Tele­com Place.
Pho­tos by Simon Devitt. Find the full story in ProDesign 110.

The atrium at Telecom Place (previous spread), criss-crossed by a series of bridges which facilitate horizontal connectivity between the four separate buildings

Architect’s notes: The interior design at Tele­com Place was a real col­lab­or­a­tion of archi­tec­ture and work­place design skills. Design dir­ector Andrew Barclay, from War­ren and Mahoney, says: “The design team involved in the primary phys­ical design of the interior archi­tec­ture included archi­tect Blair John­ston and interior designer Asha Page who gen­er­ated the concept of col­oured glass ver­tical fins to frame the cli­ent touch­down spaces on the arrival floor. The abil­ity for cli­ents and Tele­com people to meet and work in eas­ily access­ible ‘neut­ral’ ter­rit­ory was essen­tial to the new and open way in which the com­pany wanted to do business.”

This concept sup­ple­ments the other much more secure meet­ing suite and board­room which is concierge-monitored and com­pletely discreet.

The key to trans­lat­ing the Tele­com brand into built real­ity lay to some extent in the estab­lish­ment of a nat­ural and tact­ile mater­ial palette. “The stone floor slabs, the tim­ber battened ceil­ings and the selec­tion of col­ours all echo the New Zea­l­and char­ac­ter without dir­ect ref­er­ence to imagery. The idea is to allow for change and inter­pret­a­tion through­out the life of the ten­ancy,” says Blair Johnston.

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Fash­ion Fri­day: Take 2

Nadee­sha Goda­munne is another fash­ion illus­trator doing inter­est­ing things in New Zea­l­and. Writer Sam Eichblatt pro­filed her in ProDesign 110, and noted her dis­tinct­ive style and also the devel­op­ment from her trompe l'oeil move into satir­ical illus­tra­tion – a move that comes through quite clearly in the series of images below. Image (c) Nadeesha Godamunne.

She’s only just gradu­ated from AUT’s mas­ters pro­gramme in illus­tra­tion, but Nadee­sha Goda­munne has been ques­tion­ing the bound­ar­ies of her dis­cip­line for some time. She first came to pub­lic atten­tion last year after win­ning the Style Pasi­fika Supreme Award with a col­lec­tion of three simple slip dresses that used a mix­ture of tech­no­logy and hand­craft to cre­ate a trompe l’oeil effect, fool­ing the eye into see­ing a series of layered garments.

In 2009 Goda­munne taught AUT’s first– and second-year fash­ion illus­tra­tion pro­gramme while com­plet­ing her mas­ters degree. “You’d be sur­prised how many stu­dents don’t under­stand pro­por­tion or the human body,” she says. “When you take a draw­ing to the pat­tern maker, they’ll do exactly what you draw, and if it’s not drawn prop­erly it’ll come out wrong. Col­lars, for example, are very hard to get right. It’s mis­com­mu­nic­a­tion in an industry where draw­ing well is really import­ant in terms of your out­come and how to express what you want.” Read More »

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Fash­ion Friday

In the last issue of ProDesign we took a quick look at a couple of fash­ion illus­trat­ors that are pro­du­cing great work. We had a lot of images left over, so thought it best to whack them all up here, gal­lery style. First up, the eph­em­eral illus­tra­tions of Kelly Thompson and, in par­tic­u­lar, some of her work for D_luxe (who, incid­ent­ally, has a fairly new and great look­ing web­site) and Super­ette (who looks like it is about to launch some­thing new online, any hour now…). Enjoy.

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John & Eye

Inter­na­tional graphic design magazine Eye is much-loved by its read­er­ship, so much so that you might say it puts the cult into cul­ture. Artist and designer Cath­er­ine Grif­fiths recently caught up with music-loving Eye editor John L Wal­ters before, and dur­ing, his recent visit to Wel­ling­ton. Por­traits: Bruce Con­new. From ProDesign 110.

John L Walters at Scorching Bay. Images (c) Bruce Connew.John L Wal­ters rolls up his trousers and paddles into the cool wave­let sounds of Scorch­ing Bay on Wellington’s curi­ously tran­quil south coast, and calls out, “I’m going to have that Michael Nyman tune (from The Piano) in my head…” Before The Piano was released, Wal­ters had fea­tured the tune in his audio journal Unknown Pub­lic (UP03 piano­FORTE): “An unchar­ac­ter­istic, but cine­mat­ic­ally power­ful piano solo. His [Nyman’s] pres­ence in the film, as an unseen nineteenth-century com­poser, is as word­lessly power­ful as Holly Hunter’s,” he wrote. Read More »

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Card Tricks

Unlike a magi­cian who never reveals his secrets, sculptor and designer Fletcher Vaughan is more than happy to share details of the visual trick­ery behind his giant castle of cards.

Collapse at HEADLAND, Sculpture on the Gulf.

The appro­pri­ately named Col­lapse is part of Head­land, Sculp­ture on the Gulf. If you want to learn how to make one of these at home head on over to Vaughan's web­site. If you want to see Col­lapse – and 38 other sculp­tural pieces – in real life head to Waiheke Island before 20 February.

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Pic Me Up

Fun for fans of pho­to­graphy: the final­ists in the Sony World Photo Awards have been announced.

Photo (c) 2011Robin Hammond courtesy of Sony World Photography Awards.

Of course, the sub­ject mat­ter depic­ted in the images are not always fun, per se. Images in the cur­rent affairs cat­egory (in which fea­tures Robin Ham­mond, who ori­gin­ally hails from NZ) present a more sober­ing visual mes­sage. A gal­lery of quirky, invent­ive and com­pel­ling finalist's images fol­lows after the jump. The pho­tos in these awards tra­verse a num­ber of cat­egor­ies: in the 'pro­fes­sional' com­pet­i­tion there are 15 cat­egor­ies within the three sub­ject genres, includ­ing pho­to­journ­al­ism and doc­u­ment­ary (cur­rent affairs, con­tem­por­ary issues, people, arts and cul­ture, and sport); com­mer­cial (cam­paign, travel, life­style, still life and fash­ion) and fine art (archi­tec­ture, por­trait­ure, land­scape, still life and conceptual). 

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Go Some­where

A gentle reminder of a comp that Spicers Paper is run­ning at the mo… I'll spare you the details (you can find them here instead) and focus instead on the prize: $5000 dol­lars of world travel. Time for a post-holiday holiday?

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